Why I Didn’t Sell My Fujifilm X-H2S After Switching to Sony

24 Jul

About two and a half years ago, I bought the Fujifilm X-H2S on my birthday. It was a big leap at the time—I traded in all my gear, including my Panasonic GH5 and Fuji X-T3, for what was then Fuji’s newest hybrid flagship. And it didn’t disappoint.

Fast forward to now, and yes—I’ve added the Sony A7IV to my kit. I wanted to see what the full-frame fuss was about and have a solid video-first system in my workflow. But here’s the thing…

I never sold the Fujifilm X-H2S.

And I don’t plan to.

Let me explain why.

Familiarity Is Underrated

I’ve used the Fujifilm X-H2S almost daily for the last two and a half years. I know this system inside and out—every dial, shortcut, and setting feels second nature. When I pick it up, I’m never thinking about how to use it, just what I want to create.

That kind of muscle memory is gold, especially in high-pressure situations like client shoots, travel days, or fast-paced street sessions. The Sony A7IV is powerful, no doubt—but I’m still learning its quirks. The Fuji? It's like an extension of me.

It’s Still a Beast of a Hybrid Camera

Even with Sony’s full-frame benefits, the Fujifilm X-H2S continues to deliver incredible performance. Here are the features that keep me reaching for it:

6.2K open gate – Perfect for social content and cropping flexibility.
7 custom dials – I’ve got it dialled in for everything: 25fps, slow-mo, Fuji recipes, baked-in looks, and more.
Strong IBIS – Especially useful for handheld work when I don’t want to pack a gimbal.
15fps mechanical / 40fps electronic shutter – Ideal for fast-paced photography.
Fuji colour science – No grading needed. Their film simulations still make me feel something.
Compact APS-C system – Lighter and easier to travel with, but still powerful.

Autofocus? Still a Weak Point—but Manageable

Let’s be real—the Fujifilm X-H2S’s autofocus isn’t perfect, and I was reminded of that when Fuji pushed a firmware update that jarred the whole system. Compared to Sony’s A7IV, it's just not quite there yet. But it’s improved, and for most of my work, it’s still more than usable.

That said, this was one of the big reasons I added Sony to my lineup. I needed bulletproof autofocus for certain projects—but I didn't need to completely switch systems.

Every Pro Needs a Second Camera

This is a big one. As a full-time content creator and photographer, relying on a single camera is risky. Whether I’m travelling, shooting for a brand, or running a course, having a dependable second body is essential.

The Fujifilm X-H2S gives me that backup—without compromise. It’s not a “B-camera” in the traditional sense. It’s a second A-camera that still holds its own in every department.

Fuji Still Feels Right

Sony is sharp. Clean. Technical.
Fuji is intuitive. Thoughtful. Creative.

That’s why I’ve kept both. The Sony A7IV gets the job done for high-end video work and bulletproof autofocus. But the X-H2S is the camera I want to shoot with. It’s the one that inspires me.

On the road with Fujifilm X-H2S (Chiang Mai)

So… Should You Keep Yours?

If you’re a hybrid creator, travel photographer, or someone who makes a living with your camera—don’t be too quick to sell your Fujifilm gear just because you’ve added something new to your kit.

The Fujifim X-H2S is still one of the best APS-C hybrid cameras out there. It’s fast, rugged, reliable, and delivers beautiful results. And in my case, it’s staying with me well into 2025.